About

Composer, cellist, shakuhachi

… ‘If Nancie Eloise Gynn’s Shadow of the Wind stood out, it was because it dared to be luxuriantly slow-moving and soft-edged and ruminative.’
Ivan Hewett: Telegraph 21st June 2010; Aldeburgh Festival review

 … ‘A highlight for me was Eloise Nancie Gynn’s Sakura (cherry blossom) in which darker forces emerge and subside against a backdrop of atmospheric shimmers.’
Rebecca Franks: BBC Music Magazine June 2013; Panufnik Legacies CD review.

… ‘Eloise Gynn’s Genesis had a real feel for textural detail.’
Rhian Evans: The Guardian 9th July 2013 Cheltenham Composer Academy review.

Upcoming Gigs

New work for the Berkeley Ensemble, premiere 22nd November 2018 at St James’ Church, Piccadilly, London.

My graphic score Good Morning Mr Blackbird will be performed again by the Hermes Experiment as part of Soundstate Festival at the Southbank Centre, 16th January 2019.

My choral piece Only Breath will be performed by The Royal Holloway New Voices Consort in Earth seen from Above conducted by Nathan James Dearden at Royal Holloway, 14th March 2019.